A Funky Sunset
Rainbow
Craig
Pelkey-Landes
I’m
sure the sun bore down on the water,
refracting like a crystal charm dangling from somebody’s rearview
mirror. It was the Valley of the Sun, so what the sun was doing was a
foregone conclusion. But I don’t remember really.
Phoenix in those
days was hot yet
languid, on its way to being grandiose and sprawling, spilling out of
nowhere onto the receptive desert, over the dry river beds, around
chalky-pink mountains, drowning a swath of cholla, saguaro, and prickly
pear cactus. The desert will surely drink it back up someday, but the
spill is in stop-frame right now, and we were even closer to the
beginning of the film loop back then.
Things were
starting to get out of
hand, but it was still a sleepy town of maybe 800,000 souls, depending
how broadly you defined “metro Phoenix”—did Chandler count? Buckeye?
The boom started in the raging days of automobile monoculture, so human
scale got hosed. We became creatures of endless strip malls and mile
after mile of subdivision housing. We were a puddle not yet stagnant,
teeming with life.
So the sun was there in force,
and we
were pacing ourselves, Tim and I. Tim’s house was where we hung out. He
had built a quarter pipe that backed up to the garage—I could never get
up enough speed on my clunky Zorlac Craig Johnson model skateboard that
felt like a water logged two-by-eight compared to the boards today.
Even back then, Tim’s Santa Cruz was like a ballet slipper next to the
Zorlac. Nothing nimble about that Zorlac. We’d ride from the end of the
cul-de-sac onto Tim’s driveway, but the sloping curb would slow me
down. I wasn’t a poser exactly, but never made it to the top of the
quarter pipe, never came close to doing an ollie or whatever tricks
were called in 1983.
And that was just
the front yard.
Tim’s family had cable, so we watched MTV, read back issues of Reggae and African Beat,
and made banana fritters in his
kitchen—Irie, Mon!
No, it’s not what
you imagine,
teenage boys turning the kitchen into a war zone (that was Jeff’s
house, but we had nothing to do with the wreckage in that kitchen, and
it’s another story altogether). We were serious about those fritters,
frying them up perfect golden brown, putting the flour, sugar, and
other ingredients away after we had used them, washing the mixing bowl,
all the while laughing and badly singing something like “We’ll be
Forever Lovin’ Jah.” We left Carl’s Jr. burger wrappers all over the
front porch, but the kitchen we left sparkling. Banana fritters were a
religious experience that summer.
That summer, we
divided our time
between Carl’s Jr., Tim’s house, the occasional punk rock show with at
least five bands on the bill (with names like the Meat Puppets, The Sun
City Girls, and my personal favorite: Jodie Foster’s Army), and when we
had a set of wheels, Zia Records, for cheap used albums.
Today was a Tim’s
house day. We were
easing our way between skating, TV, and the pool. The development Tim’s
house was in had microscopic backyards with high stucco fences. The
entire backyard was taken up by the pool. Like I said, we were pacing
ourselves that day, not a thing to do. I didn’t have a shift that day
at the bottom rung of a storefront telemarketing operation. I wouldn’t
have many shifts there, as it turned out. Those folks flew the coop
before I could cash my first paycheck.
We were just
hanging by the pool at
this point in the afternoon, the summer between junior and senior year.
College was in the plans, but those plans wouldn’t be enough to fit on
the inside of a matchbook. So we watched the water glisten (I imagine),
and listened to lousy radio, in those days before indie rock got
airplay anywhere but two-block frequency college stations.
I remember feeling
elation that day,
water lapping all around me as I floated on an inner tube. Something
halfway decent must have come onto the radio, Bowie or maybe even The
Clash. Elation doesn’t come when you listen to Journey or Loverboy.
It was my last
carefree day, and
knowing that, I enjoy the memory of it all the more. Not long after
this day, I moved with my parents to Pennsylvania, to a different kind
of suburbia, north of Philadelphia. I think my memories of Phoenix have
caused a sense of place, or the lack thereof, to thrum on low reverb
from back to front to back in my consciousness. The American
Southwest—wind scoured lowlands against mountains coming as if out of
nowhere, the odd tumbleweed now and then, a certain awe for
Almighty-ness in the rock formations and evidence of the forces of
nature on the overall landscape—now there’s a landscape that offers a
sense of place. This is juxtaposed against the bland sameness of the
strip-mall strewn landscape.
Thanks to that
bland sameness,
Phoenix did not, from the perspective of a punkish kid, have a very
strong sense of identity. Back then I didn’t feel a “Phoenix” identity,
but I was pretty sure I had an idea of what Phoenix was not. It was not
the la-la land of L.A. It didn’t have the animist spiritual hum
associated with Santa Fe. Not as naughty as Vegas. It wasn’t even as
distinctive as other towns in Arizona: not the home of hardcore granola
types, like Flagstaff. Not the groovy Mestizo culture of Tucson. Just
plain vanilla Phoenix. It was a place to move to and get an okay job
and soak up the sun.
And
yet as I look back, identity has
seeped into my bones as a child of the southwest, a reverse migrator
from that very specific place smack dab(ish) in the middle of the
Arizona desert. I think this rootedness I feel in Phoenix
is something more
than what human
ingenuity has put into it. You can plop down a Bennigan’s and a Don
Pablo’s, a Fry’s grocery and a Woody’s Macayo every square mile, but
you can’t escape the landscape. Squaw Peak, Camelback, the dry Salt
River bed, South Mountain, the White Tank mountains to the west, they
are not just dry bones, they put some flesh and feeling into Phoenix,
they don’t let us sit around. They beckon us to climb them, they become
a jagged frame for the dust and smog induced, mind-bogglingly beautiful
sunsets. They give this place a soul. They still stir my soul.
The sprawling,
morphing exurb; the
sunshine; endless miles of concrete to skate, beauty to be found if you
spied a break in the numbing order of beige houses/beige strip
mall/beige houses; people who held the capacity to relax once they were
off the roads (highways were mayhem, just like anywhere else); great
Mexican and Thai, and Japanese food; a million ways to cool off; a vibe
that’s too snide to be effervescent, but too pleased with life to be
totally jaded. This is what has shaped me in my blood and bones. This
is a funky sunset rainbow of brown, turquoise, blood orange, hazy
dazzling purple. This is my town.
—Craig
Pelkey-Landes, Perkasie, Pennsylvania, who hasn’t been to Arizona in
ages, and who is glad the kids of Perkasie have a skateboard park.
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