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Ink Aria

“Stuff”—Minimized, Lost, and Appraised

Every now and then—about once a month—I go on what I’ll call a “decluttering spree” in my bedroom. Usually initiated by a sense of more things than places to put them, at such times I hunker down at a closet or a set of drawers or a box in my storage space and commence my own artless form of separating the sheep from the goats, filling boxes for thrift stores and bags for trash, then retaining what I still can’t quite let go.

Despite a regular vigilance with this procedure that functions as an anti-shopping spree, I am always left with a sizeable accumulation of stuff, and there are several reasons for this. First, as a teacher, student, and obedient keeper of files, I am doomed to an eternal surplus of papers. 

Second, I face a host of well-intentioned conspirators against my attempts to keep things simple. I speak of fellow college students of yore who left behind perfectly good cooking ware and textbooks and stereos at a year’s end—all free for the taking—because a flight home left no room for excess. I speak of the women in my family who for the past decade have at Christmas bestowed upon me gifts accompanied by a “you probably can’t use it now, but it’s for your hope chest!”

Except the hope chest reached capacity about five years ago. Pie plates, Longaberger baskets, and blankets are all good and useful things, and I certainly appreciate practicalities and thinking ahead. Nonetheless, such things become distressing to store when you’re still living at home with parents.

Last week I joined a group from my church on a service trip to New Orleans, where many people don’t have a lot of stuff. For one week, we worked in groups on home repair for victims of Hurricane Katrina (yes, five years later there is still much work to be done).

Post-storm-and-flooding, amid reconstruction the loss of stuff continues still, as heard in stories where tools are stolen from construction sites, or where people have broken into houses being rebuilt and have ripped out new wiring through new dry wall.
As rebuilding has continued these past few years, a question many have asked of the victims is Why do they stay? If nothing is left, why not start over again somewhere different, somewhere safer, where selves and stuff might be better preserved?

Quite often the response is something like, “This is my home. I’ve lived here all my life.” That was certainly the case for the church pastor whose home we worked on. She stopped by one day to check out the paint job, taking time also to pray around us workers. As she prayed, you could feel strength and faith radiate right off of her, and though she did not use these words, I imagined I heard in her prayer the scattered lines of a hymn text that would precipitate my thoughts the rest of that week in New Orleans:

I dare not trust the sweetest frame, but wholly lean on Jesus name . . . his oath, his covenant, his blood support me in the ‘whelming flood . . . on Christ the solid rock I stand; all other ground is sinking sand . . . all other ground is sinking sand.

I can only speculate on how the meaning and value of home and stuff is affected for hurricane victims (and others) who have lost it all. Does it mean more to you once it’s gone forever? Or, seeing that you’re still alive and the world still turning, do you conclude that maybe it didn’t matter so much after all? Do you embrace the opportunity to start anew, clutter-free, and pick and choose the stuff you want and need back in your life and home? 

In any case, I suspect you understand more deeply the finiteness of things once a levee breaks and all your things are swept away, including your house right off its foundation, as was the case for the pastor who prayed for us.

Having spoken earlier of conspirators against my decluttering attempts I must also speak of myself, retainer of 20 books “published” in elementary school, many of which I claimed were part of a series-in-the-works on two characters named Sarah and Johnny, whose arms protruded out of their midsections. 

Awards for homework completion or a job well done on an art project, wedding programs, drawings from three-year-olds, greeting cards, notes and letters. . . . At what point does it stop feeling like a sin to throw these things out? How many times must one stare at whole piles of sentimental treasures and wonder, If I just threw this out, would I even regret it? before one actually then proceeds to throw said piles out? I did once manage to dispose of all of my pottery creations from elementary school—except of course the Phillies pot whose lid had a baseball handle on it. That one I still need.

On a spectrum with, say, a Zen Buddhist monk at one end and a bona fide  packrat at the other (the kind, perhaps, whose lawn is littered with old car parts and kitchen sinks), I still like to think I’m a healthy distance from the packrat extreme. Just as I idealistically believe that my molasses-in-January career path will one day lead me to the bliss of professional stability, so too am I hopeful that, as years and experience accumulate, I may continue to refine my ability to authentically appraise the stuff of life, to the point where, should the sweetest frame be swept from under me and everything else with it, I could still find the peace in wholly leaning on the stuff of faith.
—Renee Gehman, Souderton, Pennsylvania, is assistant editor, DreamSeeker Magazine; high school teacher; and wrestles with how to handle stuff.