I hear a slow summer wind in this sponged carpet of russet needles
under my feet. Smoldering burnt orange around silver tree roots and evergreen.

Husks of tall blonde meadow grasses sway in the barely-breeze.
Skeleton seeds wait, gold even without light.

Rocks splattered with the creep of fungus and lichen. White, yellow,
and neon.
In the warm pockets around each stone’s breath, bright clover tests growth.

When inside my home the clouds are a heavy drape.
I crave the sun-spill across the floor.

When I go out the moss grey sky is a complex churn.
I would need violet, black, and even a dab of rose to paint these layers.

The subtle hues ask me to quiet. To clothe myself
in terracotta and winter-berry, silver-tone, tawny down,

deer-skin, dusted pine, honey-sap and moth-wing white.
To chant these muted colors like a bold prayer,

treasuring the particular sounds.

—Julia Baker Swann is completing an MA in Theopoetics and Writing at Bethany Theological Seminary and is poetry editor at Geez Magazine. She is author of The Moon Is Always Whole, her first poetry collection (DreamSeeker Books/Cascadia, 2020).