Category Archives: inspiration

Ode to Seaweed Footprints on Cape Cod and Other Poems by Clarissa Jakobsons

Poet Clarissa Jakobsons

Seaweed Footprints on Cape Cod

When the moon’s shadow covers clouds
sunset eyes swell in sheep-sheared vastness
and the black spotted pelican skims lullabies
each evening. At the pier
fishermen lure with bait, prey, and songs
as the great heron inches closer to the fish
stacked pails. Several youngsters dance
splash into a blazing sunset,
clapping to the finality of light. Burnt rays
spread pink-orange lashes. Calmness breaks.
The Shoreway Patrol spews brazen crimson-yellow
lights on beach sand.
Flickering seaweed prints flow into halos,
fishermen twirl airborne fish, shadows ripple.
A heron gulps one whole. I summersault
into waves for the longest night.

Dana’s Kitchen, Falmouth MA

Night fills dreams with new words
for aged poems like sage and thyme

from Dana’s garden. We sit among
blooming daylilies, ocean spray

roses, and rainbow hydrangeas.
Breakfast: soft-shell bedded crabs,

cranberry muffins, and java
wakening each cell of our bodies.

Thunderstorm warnings loom, winds swirl
at 20 knots. Black back seagulls drift

between scattered showers, in and out of shore
lifting prayers with the fog. Underfoot

sharp, broken clam shells guide our paths.
The Esterel yacht anchors each year

in Falmouth while the Corwith Cramer
schooner heads towards Shoals Marine

Lab on Appledore Island, with my daughters.
Marielle and Lara. Hurricane Lana looms.

Ode to the Pacific Cypress Tree

Before leaving Gualala’s Sea Ranch
I run to the cypress tree facing
our living windows for final good-bye
hugs. Together, full arms waver
in the blustery winds. Four more arms
are needed to encircle and embrace
this ancient trunk. Each morning,
a chirping flock of birds
arrives fetching tender gifts of fallen seeds.
Seaside residents with inquisitive dogs
walk along ten-mile cliffs. Invisible cats are safe.
Good-byes open gifts. My family waits
without complaints in their rental car.
Mama cypress will wait, family roots
surround her with shade. Pacific waves
rest patiently waiting for our return.

—Clarissa Jakobson is a book artist, painter, and poet whose visual and written art are inspired by her Lithuanian heritage and her family’s history during WWII. Her new book, Baltic Amber in a Chest (Bottom Dog Press, Harmony Series, 2023), received a Pushcart Nomination. The book’s cover is her own oil painting. She reflects these influences pairing her visual and lyric art. Clarissa studied Art (BFA) and Poetry at Kent State University. Her work has been exhibited at the Morgan Conservatory, the Cleveland Museum of Art and enjoyed a solo exhibition at the Moose Gallery. Clarissa won First Place in the Akron Art Institute New Words Competion and her poems are published internationally. She lives in Aurora, Ohio, and enjoys daily walks with her husband around Sunny Lake.

The Tulips that Became Roses

Roses photo in blog post "The Tulips That Became Roses"As a mostly failed provider of flowers for my patient spouse Joan, I was impressed with myself one Mother’s Day when I happened to be in the grocery store and saw a display of flowers. For some reason this particular bunch of lovely red roses was cheaper than another bunch which I figured was just a different variety. But the cheaper ones looked great, what was not to like, why not be a good steward of precious resources? Or as some might less charitably put it, a cheapskate?

So I proudly took home the bouquet of a dozen roses and offered them up. Joan was indeed touched that I had thought to provide them but with slightly furrowed brow also offered something along the lines of “I would never have thought of that–tulips for Mother’s Day. But they’re beautiful!”

I was taken aback. How could these lovely red flowers be other than roses? But Joan patiently and compassionately explained that tulips is what they were. This was why they were cheaper than the other red flowers which were actually roses.

I told the story in church that morning as part of launching a sermon. Congregants who owned a garden center risked falling off their chairs at this revelation of just how lacking in common sense and basic knowledge their pastor was.

But then came the following Sunday. They had brought a lovely little potted plant to the sanctuary. They explained that this was a rose bush from their nursery. They were giving it to me. If I planted it and managed to keep it alive it would teach me what roses look like.

Amid the general hilarity I was actually quite taken with their gift. I carefully planted it and for some years was tickled when a few roses would appear to remind me how to tell a rose from a tulip. But the plant always struggled and once was so hard to see I mowed over part of it.

Eventually it was gone from where I’d planted it. I forgot it.  Then yesterday Joan and I went for a walk. She pointed out this tall bush with multiple red flowers on it. “Do you remember what those are?” Indeed! “Yes, those are not tulips; they’re roses.”

“Did you remember,” she asked, “that when it just kept struggling and struggling I transplanted it to that flower garden in case it did better there?” If I’d ever known this, I’d lost track of it.

What a memento, these decades later. A memento of life as a mixture of stumbles and mistakes, of good intentions and failed implementations, from the tangles of which–nurtured with patience, generosity, grace, and nudges of encouragement–red-rose beauty can spring.

Michael A. King, publisher and president, Cascadia Publishing House LLC, blogs at Kingsview & Co, https://www.cascadiapublishinghouse.com/KingsviewCo

Proud to be an Okie

Blog post from Kingsview & CoActually no, I’m not from Muskogee, Oklahoma, where “We don’t smoke marijuana” and “where even squares can have a ball,” as country singer Merle Haggard celebrated. Still I’m almost proud to be from there as I ponder the history of the version Merle first sang, what he came to make of it, and what became of it over the years since he first wrote the lyrics (with Roy Edward Burris) during the Vietnam War.

It’s complicated. Just before the pandemic hit and he mostly stopped live touring, for the first time I heard Kris Kristofferson, surely closer to the hippie Merle mocks in the song than to a square, in live concert. (There is a 1975 version on YouTube of Kris singing “Okie” with Cher and Rita Coolidge that seems to suggest some ironic awareness; the younger Kris throws around his mop of wild hair as he intones the lyrics about not letting “hair grow long and shaggy.”) That pre-pandemic night Kris, himself oddly enough a former soldier, sang  of the hippie-like values and addictions Merle chastised accompanied by “The Strangers,” the very band Merle founded and toured with until his 2016 death.

Memories of that night came flooding back when CBS released a special featuring Willie Nelson’s 2023 ninetieth-birthday concert. Woven through it are several appearances by a frail Kristofferson, supported tenderly by such singers as Roseanne Cash and Nora Jones. These made me grateful I’d experienced Kris live when I did and reminded me again of the “Okie” complexities.

Because they also live in me, riven by paradoxes in my roots and life trajectories, the contradictions inherent in hearing Kris sing Merle’s famous “Okie from Muscogee” did fill me with a certain rapture. The contradictions throb in me, for example,  as I remain committed to pacifism yet will never forget how moved I was by the stories of U.S. veterans I met while dean at Eastern Mennonite Seminary.

By the end of his life it seemed clear Merle, once a prisoner pardoned for burglaries by then-Governor Ronald Reagan, was singing the song within layers of complexity I could never claim fully to plumb yet which intrigued. The Okie (which he only kind of became after his family migrated from California during the Great Depression) who sounded like he was bashing anyone who smoked marijuana had battled addictions himself.

Anyone who hasn’t heard Merle sing “Amazing Grace” at St. Quentin, where he had been imprisoned, hasn’t fully experienced grace. This version is ragged, rough, and raw–throbbing with awareness of how “wretches” (an “Amazing Grace” lyric I rejected when younger, before I grew old enough to recognize myself in it) are saved.

So this is who sings about being from Muscogee. And in his singing so many layers of meaning, he reminds what richness imperfect people can offer if true to their truths rather than addicted to offering fake truths.

I and we needn’t agree with Merle on every detail to grasp that here is a real human being, someone who has traveled through vicissitudes with integrity, acknowledging and even magnifying them when called for. Here is no flattening of meaning but ever deeper exploration of it.

And so as Merle ages his songs become ever richer, their subtexts ever more resistant to simple interpretations, such that it made sense at Kris’s concert for his audience to break into applause as  “Okie from Muscogee” launched.

We were sitting, that night, in a country in which some loved “only squares can have a ball” and others loved the possibility that Merle’s song is at least partly the satire Kris may think it to be. Yet the song transcends the divisions.

The hatreds and animosities that spawned it in the 1960s as war raged have perhaps not so much healed as mutated and maybe even intensified. Interpretations and responses to “Okie” have mutated as well. Some see it as one more inspiration for continuing the cultural battles. But as I ponder Kris singing Merle’s song as his own life fades and with the band Merle’s death left behind, I find myself living at least briefly in a world in which only squares can have a ball yet with the hippies sing toward that grace still able to amaze.

Michael A. King, publisher and president, Cascadia Publishing House LLC, blogs at Kingsview & Co, https://www.cascadiapublishinghouse.com/KingsviewCo

The Day of Endless Kindness

Amid the tsunamis of cruelty drowning the planet, the day of endless kindness began as Joan and I watched Maine waves roll in for the last time. We unwrapped the breakfast sandwiches we had bought at the grocery store. On each, written by a server who had once seemed distant then mellowed when gently treated, was a heart face, a smile, and  “Have a safe trip.”

Then  we pondered the hog-the-beach ritual spread in front of us. Even before sunup more and more folks preemptively build beach cities of chairs, umbrellas, windbreakers, tents then leave. To crest the dunes is to wonder if an entire new megalopolis is springing up on the beach.

We flinched as this time one person fed the beach city but did note his spread was minimalist. As he trudged back up past our beach bench I bracketed judgmentalism and cheerily, I thought, teased, “That was cruel, making us watch beach setup just before we have to go home.”

Instantly he turned defensive: though his family had the privilege of living nearby, minimizing the chaos of bringing his children to the beach was worth setting up early.

I tried to signal I had been teasing about having to watch setup just before going home but sensed we were talking past each other. When he left, Joan went down to say goodbye to the waves while I kicked myself: “You have got to stop deadpan teasing when people don’t know you well enough to get it. You deserve to be misunderstood, since early setups do annoy you even if you didn’t mean to take it out on him.”

Minutes later, I looked up. “I just had to come back,” he said. “I thought, I have the privilege of being a year-round Mainer and need to represent my state better than I did. I was sensitive because early setups have gotten people mad; there have even been social media dustups.

“Because I thought you were mad, I wanted to explain that I don’t mean to hog the beach.

“Then after I left I kicked myself. Because when I played back the conversation, I realized you were just teasing about having to watch setup before ending vacation.”

“And I was sitting there kicking myself,” I reported, “for being a deadpan teaser easily misunderstood.”

We reflected on how good it felt to make peace and how often these days we egg each other on instead of paying attention to the inner voices nudging us back to kindness.

Joan and I neared home. I said maybe we should drive around until nightfall to avoid seeing what the lawn looked like after being unmowed forever while rain endlessly fell. Reluctantly we confronted reality.

And were stunned: the lawn was mowed. We texted friends. Did you do that? No. Son-in-law? No. I analyzed the mowing pattern where it met my neighbor’s lawn. The lawns looked seamless. Wow, did he really do that?

Then a knock: neighbor. With  muffins and his own fresh-grown tomatoes. Whoa! “Did you mow our lawn?” Yes.

As eight rambunctious siblings and I grew up, we were not fans of hearing from our parents, “And be ye kind one to another, tenderhearted, forgiving one another, even as God for Christ’s sake hath forgiven you” (Eph. 4:32 KJV).

But on that day when kindness instead of meanness seemed endlessly to ripple out, I wished my parents were still here so I could tell them, not even grudgingly, “Okay, okay, I get it!”

—Michael A. King is publisher and president, Cascadia Publishing House LLC. Before it merged to form Anabaptist World, he wrote  the “Unseen Hands” column for Mennonite World Review, which published an earlier version of this column.

 

Do I Dare, a poem by Joseph Gascho

If I take the wings of the morning, and dwell in the uttermost parts of the sea; Even there shall thy hand lead me, and thy right hand shall hold me.Psalm 139:9-10

Do I dare to tell my Darwin friends
about the giant hand
that led my surgeon’s hand
for six whole hours?

Do I dare to tell my Dawkins friends
about the gentle hand
that held me
for 40 days?

Do I dare to think
it was no dream,
that gentle, giant hand,
holding me,
lovingly?

—Joseph Gascho, Hummelstown, Pennsylvania, is a retired cardiologist and emeritus professor of medicine and humanities, Penn State University College of Medicine. The Annals of Internal Medicine awarded him both poem of the year and photograph of the year. Positive Exposure 109, on museum mile in New York City, has featured his photography exhibit, “The Operating Theater.”  In addition to other books of photography and poetry (see  jgascho.com), he has written Heart and Soul: A Cardiologist’s Life in Verse (Wipf and Stock, 2023) .

Skimming in Harmony

As usual the news was filled with reporting on national divorcing of red and blue and infinite variations, enough said, as much of the world’s energy went into taking things apart.

But in one part of the world, itself no perfect place as wealthier and poorer live their sadly stratified lives and the privileged play while the struggling work, there was a moment of sheer loveliness. All the struggle was right there, the endless plastic bottles and trash caught in the grass and dunes and trees just behind the waves, those with too little money selling what they could on the beach while the kites soared.

I wonder what we do about this. But I doubt simply ignoring the soaring fixes the struggling.

So I did love watching as the kite surfers fluttered across the waves like butterflies used to before so many went extinct along with their habitats.

And I particularly felt my breath catch when three surfers, perhaps part of a team though maybe they were just committed to sheer joy, started skimming in unison. Back and forth they raced across the ocean, slowing down to turn at the ends of coves then somehow knowing who would take the lead and how quickly until they were lined up in near-perfect formation.

Kiters one

Mostly there was no need to do anything but cherish the sight. I also, however, thought about the sheer delight stirred by humans who must have spent endless hours practicing their soaring collaboration rather than feeding endless versions of that national divorcing.

Kiters two

I thought I’d better learn from their example how to invest more of my own energy in skimming and less in splitting.

And I imagined all the healing that could be released if resources for kiteboarding, both literal and metaphorical, were so equitably shared across the weathier and poorer of us that we could all skim together on the Planet Earth team.

Michael A. King is blogger and editor, Kingsview & Co; and publisher, Cascadia Publishing House LLC. He has been a pastor and seminary dean.

Thankful for for Little Cow

Ella, three years old, has been fascinated by the scar on her grandfather’s chest, where the surgeon literally took out my heart and fixed it before putting it back in. She particularly keeps trying to understand the role of the bovine aortic valve Dr. Desai put in.

I explained that it came from a cow. That really caught her fancy. As we’ve kept talking about this, I’ve started suspecting Ella’s cow image is quite literal.

So I asked her: “Do you think there is a tiny little cow in my heart helping to keep me alive?”

“Yes, PawPaw. Your cow is always in there taking care of you.”

She paused. “But it makes me sad. Because a big cow had to be killed so your little cow could live in your heart.”

In recent years I’ve read about research suggesting that in their own ways bees think creatively; spiders dream; trees communicate. And maybe, metaphor though this may be, little cows live caringly in our broken hearts.

Ella is no longer a baby but she lives closer than I do to what William James once memorably described:  “The baby, assailed by eyes, ears, nose, skin, and entrails at once, feels it all as one great blooming, buzzing confusion. . . .”

Through Ella’s insights my bovine aortic valve links me to all of that–and reminds me that there is in nature so much glory and so much sacrifice. Ella reminds me to be grateful for great blooming of life. And for the suffering and new possibilities, so often both mixed together, we create for each other as we strive and yearn for life amid all the buzzing confusions of our thoughts and dreams and sacrifices.

Michael A. King is blogger and editor, Kingsview & Co; and publisher, Cascadia Publishing House LLC. He has been a pastor and seminary dean.

Stirred by Tender Pietism

For a year I’m the Anabaptist-Mennonite contributor to a conversation on “Following Jesus” among writers from 12 different Christian traditions. Each month a writer makes a main presentation on her or his tradition and the remaining writers offer responses. Here at Kingsview & Co I’m posting my contributions along with links to the larger conversation.

* * *

In his stirring rendition of “A Week in the Life of a Pietist,” Christopher Gehrz illumined for me the reality that a fair amount of what I’ve experienced as just part of my heritage is indebted to Pietism. I needed barely to  read more than that one of my favorite hymns, “Children of the Heavenly Father,” has Pietist roots to grasp this.

This intrigued me enough that I pursued Gehrz’s fuller comments on the song writer, Carolina Sandell, learned that she is his favorite hymn writer, that she engaged in bride (of Christ) mysticism, and that

Still more controversially, she inherited the Radical Pietist and Moravian interest in the divine feminine. The first draft of “Thy Holy Wings” asked God to spread “warm mother’s wings,” and a hymn inspired by the martyrdom of Swedish missionaries in Ethiopia implored God to “tenderly hover” over Christ’s witnesses on Earth, “Embracing their cares like a mother.”

Reading this took me to my childhood as an often-lost missionary kid trying to survive both the beauties and bafflements of life in Cuba and Mexico. By the time I was 12 the crosscurrents of the missionary experience and my escape into secular inspirations like science fiction had me flirting with atheism. Yet repeatedly a backdrop of hymns and gospel music playing most bedtimes on a Wollensak reel-to-reel tape recorder brought comfort amid pain.

Many a troubled night I’d listen to songs like George Beverly Shea singing “Tenderly He Watches.” Here the controversy of feminine images for God is dialed back. This is done perhaps intentionally and as Sandell herself sometimes seems to do (not least as in “Heavenly Father” children safely to God’s “bosom” are gathered). God remains in such renderings a male who watches over me not as but “like” a mother, a “mother watching o’er her babies.” Still the tenderness is explicitly and implicitly palpable, and it strikes me how often Pietist-flavored hymns leaven the sternness of traditionally patriarchal faith expressions.

When I aged into a culture-shocked teenager trying to make sense of college in the U.S. after leaving Mexico just months before, key to my surviving the tough days was lying many an evening on the couch watching the reels turn on what was now my more advanced stereo Dokorder tape recorder. I would put on the most tender hymns I knew. Shades of Sandell.

Which then takes my heart and memories back to the scores of hymns offering God’s tender care that healed my wounds way back then, bless me still today, and surrounded the bed of my dying mother-in-law Mildred. As she faded, her daughter and my wife Joan, along with our three daughters, sat by her bed singing such hymns. We accompanied the tracks playing on an old Ipod I had loaded with hundreds of hymns and gospel songs for Mildred to go to sleep to in her retirement community much as I had as a boy.

Many of the songs,  in fact, were precisely the same ones I had listened to in Cuba and Mexico, plenty of them with that Pietist flavor. I had resurrected them by buying lost vinyl records on Ebay and laboriously transferring them to the MP3s that eventually ended up on my and Mildred’s Ipods.

All of which is to say this: I certainly have long loved such hymns. But it was Gehrz who helped me more fully understand that through them I was experiencing aspects of a Pietism that did indeed help save my life.

I need to rethink some of my own personal history and my Anabaptist-Mennonite heritage in light of Gehrz. I’ve under-credited Pietism. I’ve long been reasonably aware that strands of piety did heavily influence the communities within which I was most primally shaped. I’ve been less aware that these pieties were not just floating in the Anabaptist-Mennonite air but were a gift from sources such as Sandell and the many others Gehrz identifies, including Philipp Jakob Spener, August Hermann Franck, and more.

Citing Roger Olson, Gehrz observes that “if there is no Pietist movement, we might nonetheless discover what Olson calls ‘the Pietist ethos’ in Lutheran, Wesleyan, Baptist, Anabaptist, Reformed, and other churches represented by other participants in this conversation.” Indeed.

Gehrz himself names what I might otherwise worry a tad about from within Anabaptist commitments to social ethics. This is the possibility that piety can so turn inward as to forsake the outward. I’ve heard Mennonite preachers worry, precisely, that the more Pietistic hymns can generate a me-and-God as opposed to us-and-God or God-and the-world Christianity.

Gehrz, however, makes the case that as with “Francke (1663-1727), personal conversion to Jesus Christ sparked social action.” And my own experience suggests that the tenderness that watches o’er the troubled ones of us safely in God’s bosom gathering can be a key source of returning to the world healed enough to care for it.

Thank you, Christopher, for this tender report, on behalf not only of your own tradition but our many traditions enriched by it, of a week in a Pietist’s life.

Michael A. King is blogger and editor, Kingsview & Co; and publisher, Cascadia Publishing House LLC. He has been a pastor and seminary dean and is currently participating in Harold Heie’s Respectful Conversation project within which a version of this post was first published.

Excavating the Darkness: A Sisterhood of Recollection, a guest post by Miriam Blank

“Everything has its wonders, even darkness and silence, and I learn, whatever state I may be in, therein to be content” –Helen Keller

My brothers have been taking Dad out for breakfast a few times a year for the last 5-10 years. Recently my sisters and I noted a longing to also connect with Dad in a meaningful, intentional way.

So we began to meet through group conference calls. We each came with questions for Dad about our early years together as a family, and how he experienced various events, like the birth of each child.

Then we talked of my sister Carol’s early diagnosis with retinitis pigmentosa when she was only about 7. Beverly and I were diagnosed in our early twenties, so it did not impact our early years of growing up.

We noted how we each responded to Carol’s early loss of sight. For Dad, there was the shock of being told he should send his daughter off to a school for the blind. Beverly noticed how she didn’t want to ever look clumsy like her younger sister did, stumbling into things or sweeping her hand across the floor to find something she had dropped. As for myself, just a toddler at the time, I had no conscious clue of this shadow that had fallen across the face of us three sisters who would all go blind slowly across the decades to come.

Mom combing my hair surrounded by my two sisters, in the log cabin where we grew up in rural Oaxaca, Mexico.

Now our conversations with Dad have begun to trace the early days of lives altered by blindness. My heart has been pierced as I note that my sister Carol in some ways had to carry her blindness alone as a little girl. She didn’t know what it was to see better. She only knew she tripped into things when others didn’t. She knew she was somehow different.

But emotionally, where do you put the stigmatization of having to run around the outskirts of the sport field while your classmates play and look at you oddly? Mom and Dad obtained exemptions like this for her gym class. But no one could know all she had to navigate as she bumped into other students in the dark hallways, trying to find her locker. She put her head down and pushed forward. She just did the next thing, plowing through the best she could.

It is a consolation to re-collect these memories as we gain new insights. We are listening together to our unique but similar life vignettes:

  • How we tried to hide or minimize the effect of our waning sight.
  • How we pushed ourselves to not feel different.
  • How we colluded with denial.
  • The sadness of feeling helpless.
  • The sorrow of not being the one who can help others in practical ways.
  • The insights gleaned from being an outsider; being the different one.
  • The pain of the sharp furniture corners.
  • The electrical current running through my gut as I hear, for the first time in detail of Carol being knocked unconscious from a bike crash.

And now we can’t stop. It is like, loop by loop, we are knitting a sweater together. We are connecting stories and gaps in our own memories and experiences. I think there were ways that our lives ran on different tracks, and our blindness didn’t join us together as much as it could have. But now, a doorway has opened and something sweet is happening as we listen.

This work of excavation is turning on lights of understanding and compassion. All three of us currently see less than five percent of what a sighted person sees. Yet what we actually can see can be confusing to both us and others.

The retina of the eye is an extension of the brain, and where there are gaps in vision, the brain tends to fill in that gap, making the person with retinitis pigmentosa think they can actually see more than they can. We navigate in familiar settings with relative ease, so that at times others think we see more than we do. Beverly’s daughter, who lives with her, once said, “Mom, I keep forgetting you can’t actually see.”

So, our experience is one of feeling “normal” and yet sometimes not normal at all. As John M. Hull says in Notes on Blindness: A Journey Through the Dark, “It is so hard to be a normal person when one is not a normal person.”

For example, for practical reasons we have to limit the number and types of things we would like to do. Everything, including social interactions take more energy for us. Our days can be interrupted in hundreds of unexpected ways where a solution require sight. Just now I asked one of my housemates to come and deal with a yellow jacket in my kitchen.

Our path is often hindered. Our lives are not marked by efficiency in the physical world.

I am drawn to the words of Henry David Thoreau, “Pursue some path, however narrow and crooked, in which you can walk with love and reverence.” It is now an unexpected goodness to be walking in a new way with my two sisters in our “less than normal” lives, with reverence and love.

–Miriam Blank, Lancaster, Pennsylvania, is a professional counselor, spiritual director, and certified life coach.  In the past Miriam worked 15 years as a registered nurse and certified nurse-midwife. She is author of the prior post, “Body Fading, Essence Soaring.”

Presence and Love Dancing by the Dead-Ash Fire

Dancing by the fire image“The Affair,” a flawed yet riveting Showtime series, weaves over five seasons a web of sin and sorrow, of poor choices and consequences. One character’s inability across decades to stop harming loved ones and himself is horrifying.

Yet as Noah ages and life holds him sometimes brutally accountable, his heart opens. Noah tells a traumatized Joanie, whom amid tangled choices he once believed his daughter, of epigeneticist Eddie’s theory. Eddie believes trauma can reshape how our genes are expressed, meaning trauma can be biologically passed down. So if your ancestors lost a child you might feel effects without directly experiencing it.

But Noah also tells Joanie, “If trauma and pain can echo through generations, then so can love. If abandonment can ripple across time, then so can presence.”

Ever since that episode, the hope that not only the bad but also the good can ripple down has haunted and inspired me. I think I see it again in Steven Petrow’s Washington Post column (March 7, 2021) on “How you will be remembered depends on how you live today. So, too, does your happiness as you get older.” Petrow begins with poignant examples of what his parents’ tombstones say. His dad’s describes, “Journalist and Professor”; his mom’s testifies, “Beloved by all.”

Petrow explains that his father’s identity was so wrapped up in résumé-building that he had a terrible time adjusting to the loss of his professional perks as he aged. But his mom, though quite professionally accomplished herself, made the transition to “eulogy virtues,” the gifts to life and loved ones that linger even after death.

Petrow also reports his own temptation to live “more like my dad, with much of my energy focused on earning more, beefing up my résumé looking to achieve greater success.” Then he attends to Arthur C. Brooks. “‘After 70,’ Brooks wrote in an essay, ‘some people stay steady in happiness [while] others get happier until death. Others—men in particular—see their happiness plummet.'” And Petrow connects this with his quest to shift “from résumé virtues to eulogy virtues.”

It strikes me that résumé virtues can help pass on trauma and abandonment. In “The Affair,” Noah’s passion to be a best-selling author catalyzes considerable damage. Eulogy virtues may be more likely to pass on presence and love.

This matters to me because Petrow and I must be nearly the same age, and I’m in the thick of wrestling with résumé versus eulogy priorities. My heart is on the eulogy side. But I still miss parts (not all!) of the days my life revolved more than now around professional commitments and weighing this or that decision with potential to change lives for good or ill.

Now sometimes I wake up in the middle of the night from dreams of being back having too many meetings all the time and even navigating the anger of a colleague who was angry because I couldn’t schedule the appointments he thought I owed him quickly and often enough. That phase seemed soul-damaging while I was in it and often was. Yet in the dreams there is a frisson to being endlessly busy and in demand that can haunt me when I awake to its absence.

So though I’ve long aimed not to live like Petrow’s dad, I resonate with his late-life pain. And I’m glad Petrow ends with love for a father whose happiness declined because of lost résumé status but who even so had fostered eulogy values:

Soon after he died, and more than 15 years after he retired, his colleagues and students profusely acknowledged his résumé virtuesbut their tributes also eulogized his humanity, noting he had been “a wonderful mentor and advocate,” and not least of all, “an amazing man with a kind heart.”

Petrow concludes, “I wish my dad had been able to hear that.”

I won’t be able to hear what’s said at my funeral, but Petrow helps me continue the move from résumé to eulogy activities. This seems to me particularly urgent now in a country and world unraveling as politicizing everything destroys us; climate extremes tear at bodies, souls, and power grids; a pandemic rips up customs that once spelled home. These are such large forces the temptation is to see the résumé buildersthe powerful peopleas our main hope now.

But what if that ceaseless restless quest for more better best is not only a solution to but also a cause of what needs healing? What if for those of us who attend to the teachings of Jesus, Petrow is updating give up your life to find it, take up your cross and follow me, for what good will it do you to gain the whole world and lose your soul?

What if urgently called for today are eulogy values? What if that means a vital need is to  pass on—even in tiny ways—presence and love, soul-pursuing rather than world-chasing, to echo Jesus? In this eulogy-centric stage I draw some comfort from that.

And I dare I hope I’m participating in that process even through treating ash trees and with dead-ash fires:

As nights no longer get cold enough to kill emerald ash borers, billions of ash trees are dying. At our house we treated one majestic ash. It was already borer-riddled but the tree guy said just maybe not too late. Last spring luxuriant new leaves crowned the tree. One limited yet glorious miracle. Let that ash tree live long enough for someone to bring a leafing branch from it to my funeral.

But we had to pay $10,000 to take down other dying giants before they fell on our house. Then this: A year ago Joan and I went abroad. A daughter, her husband, and a six-month-old granddaughter joined us. By the time we flew back into panicked Newark airport crowds, our pre-COVID-19 customs were gone and have yet to return. Since Newark we’ve lived in a bubble in which we routinely see only the loved ones who flew back with us that fateful day.

Fridays they stay over into Saturday. Recently I realized our granddaughter really likes rituals, including helping me set up fires in our basement woodstove. Now before Friday bedtime I ask if she wants to go to the basement. Wriggling with joy, she makes me leap to head off her going down the steps herself.

We start the fire. With dead ash wood. Yet from this death springs life: She delights, the flames turning her face golden. She points to the TV. Not good. Except. She’s learned you can play music on TV. So we go to a music channel that’s not too wild but has mellow beats. She starts to dance. And it becomes clear that, like her mother who so loves dancing she’s taken lessons, she gets the beat. She jigs back and forth. She raises both index fingers to point, grinning hugely at dance partners, while she twirls.

I think of my family history. Trauma going back centuries, including depression, anxiety, suicide, and yes, abandonment. On Joan’s side the baby girl who lost her dad at 10 months, its own abandonment. The trauma ripples down and is for us and billions reactivated by COVID-19 wounds.

Then I wonder if also rippling down the generations will be that little girl dancing by the dead-ash fire, experiencing even amid Covid isolations presence and love and giving it back to us. And I dare hope such eulogy practices will linger even longer than the résumé activities now fading.

—Michael A. King is publisher and president, Cascadia Publishing House LLC. Parts of this column were first prepared for a February 28, 2021, sermon at Salford Mennonite Church.