Category Archives: apocalyptic

Apocalypse and the Stuffed Giraffe

During a long, often frightening 2016 whose results only intensify the dynamics, a nation argues over whether to name its presidential candidates crooks, fascists, or worse.

At a lunch with a denomination’s representatives, talk turns to ways the polities of two denominations to which many seminary students belong are shifting. Just in pondering almost idly the effects, we find the conversation eddying across the many seminaries we personally know to be in crisis.

Terror strikes. Walls are breached or threatened. Police shoot away lives that matter and sometimes are shot. Temperatures hit constant global records while floods ravage Louisiana, fires burn across California’s Interstate 15, and Zillow.com projects nearly a trillion dollars worth of real estate possibly under coastal waters in our grandchildren’s lifetimes.

Fear stalks the land. Will we survive? I believe yes; here we are after millennia of catastrophes. But will our lives, communities, institutions, structures, countries, planet be recognizable?

Amid such questions my mother-in-law Mildred died of surgery complications after breaking a femur. The intensities, sorrows, and sometimes grace-filled moments of her final days unfolded as four family units scattered across the country had been scheduled to arrive for vacation in Maine by plane and car. Instead we kept vigil as she died. Now to get from her funeral in western New York to our remaining time in Maine we added a rented SUV to family cars.

After lunch that three-car, three-generational caravan of lacerated souls headed across 600 miles through hauntingly pastoral New York and New England landscapes as the sun faded hour by hour into the west and into late-afternoon sweet light. At a chaotic, crowded truck stop a rumpled man pestered us. So many disrupted days and nights and feelings had left us all shot. We didn’t want to talk. He wouldn’t stop.

Finally out of no sense of mission but hoping he’d then shut up, I engaged him. He launched into his story. He was a trucker from Las Vegas—where his wife with stage-4 cancer might, he’d just learned, be in her final hours. From the truck stop he’d try to drive straight to Vegas without pausing except for catnaps. Soon he left.

Then, enroute to his truck, he was back: with gifts of stuffed animals and candy for the children in our caravan. Weeks later came a photo of one reading books with her new giraffe snuggled beside her.

Across the under-maintained infrastructure of interstates, across an America at risk of apocalypse if we define it as the unraveling of stabilities and communal compassions as we’ve known them, an ordinary man, even a wearisomely intrusive man, races to say good-bye to his dying wife.

But in that liminal space between earth and Beyond, souls reach for each other. And amid all the anguishes of the era, as 2016 turns toward 2017, the images leap from the photo: A girl sitting on a rocker has swaddled a stuffed giraffe then tucked it in beside her. She sits with her picture books. The pages she’s focused on include an apple, a sippy cup, sneakers, a tractor, a boy on a toy car, an orange, a teddy bear, and much more. Her gaze shows that she is learning—even in these times—about the magic of the world she has been both cursed and blessed to be born into.

—Michael A. King is dean of Eastern Mennonite University seminary (where he drew on some of the materials in this column in a presentation) and graduate programs. He writes the column “Unseen Hands” for Mennonite World Review which first published this post.

Mysteriously Upheld

KCMainBlogPostThumb200x200x72Experiencing the known world as falling apart is no new thing. That’s what reading Dead Wake, in which Erik Larson tells of the German sinking of the British ocean liner Lusitania and how this drew the U.S into World War I, reminded me. To be suddenly plunged into World War I or II would stun us.

Still we live amid our own sense that normalcy is not holding. That’s why stories about the end of civilization are popular. Of many apocalyptic novels I’ve read, a favorite is Station Eleven, Emily St. John Mandel’s elegiac account of disease striking all Earth, grounding the planes, leaving her main characters living in an airport before finally they must see what’s left beyond.

Her vision sears my heart. This is because she shows in fast-forward what we fear is already unfolding in slow motion. It’s also because, even post-apocalypse, she spies hope. Her final pages gleam.

Mandel inspires me to keep pursuing hope. Even now. Especially now. That’s what I’m pointing toward with “Unseen Hands,” the title of my new quarterly column for Mennonite World Review (which will also appear as Kingsview & Co blog posts). I want to pursue the unseen hands in personal experiences; larger church, cultural, and global dynamics; biblical resources.

The image itself, which comes from a dream I later heard echoed in Marty Stuart’s “The Unseen Hand” gospel song, launches me on the journey. Unseen hands are for me first of all personal. They came to me in that years-ago dream when the mountains seemed too many and high. I was climbing what in waking moments is the steepest grade I regularly encounter. Suddenly unseen hands, giant invisible hands, supported my back. Same hill. Same life. But newly walkable.

Years later an invitation to an assignment that scared me came by cell phone just as I was climbing that same hill. I remembered the dream. I felt the hands. I said the yes that might otherwise have been no.

Meanwhile in the larger culture I glimpse unseen hands in, of all places, those richly layered, streaming TV shows suitable for binge watching. Two examples: The Killing and River. Both touch on painful issues of the day, whether racism, immigration, tensions across cultures and religions as diversity soars. They address sin, shadows, sickness of soul. Yet also, quite strikingly, they ask about atonement, forgiveness, healing. Main characters in both are broken people, grappling with addictions, abuse experienced and inflicted, abandonment. Both show tussles with mental illness that simultaneously scar and strengthen sufferers.

And both, so sparingly yet so movingly that when the moment comes it outshines most sermons, point toward unseen hands. Each offers scenes in which golden light breaks through not only metaphorically but literally. Yet what could be cliché makes the soul shiver—maybe because earned by the unsparing (if perhaps over the top in latter episodes of The Killing) portrayals of streets and characters drenched in rain, violence, wrong turns, and sorrow.

I sometimes wonder how the Jews survive their own apocalypse. As exiles by the rivers of Babylon they weep, hanging up their harps rather than, as Psalm 137 indicates, singing God’s song “in a foreign land.”

Walter Brueggemann (The Message of the Psalms, 75-76) says they do it in ways I recognize from The Killing and River: honestly naming their bitter realities, including their raging thirst for vengeance, while maintaining a “resilient . . . . hope against enormous odds.” They stay true to a vision of the Lord’s unseen hands through which “There will be a homecoming to peace, justice, and freedom.”

They have much to teach us.

Michael A. King is dean at Eastern Mennonite Seminary and a vice-president at Eastern Mennonite University; columnist, “Unseen Hands,” for Mennonite World Review which first published this post; blogger and editor, Kingsview & Co; and publisher, Cascadia Publishing House LLC.